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Tom Cruise Reportedly Eyes an ARCA Stock Car Ride as Days of Thunder Returns

NASCAR's CEO says Tom Cruise has expressed interest in racing an ARCA car as a Days of Thunder sequel with Anne Hathaway moves toward 2028.

According to Motorsport.com, NASCAR chief executive Steve O'Donnell spoke with Front Office Sports in an interview published Tuesday. Among the topics he covered was the highly anticipated sequel to Days of Thunder, which will again feature Tom Cruise as Cole Trickle, the fictional stock-car driver he played in the 1990 original.

The report says Anne Hathaway will star alongside Cruise, and the film is set for release in the summer of 2028. Motorsport.com cited O'Donnell as saying that Cruise has expressed a desire to take part in a racing event of his own, specifically with a car in the ARCA series, a national stock-car circuit that runs below NASCAR's top tier.

The coverage did not fully lay out the details of that interest. It was not clear from the report whether any plan has been formally arranged, what form a potential appearance might take, or what timeline might apply.

The remarks came as part of a wider conversation with O'Donnell, so the full context of his comments on the film and on Cruise may be clearer in the original interview.

Background

Days of Thunder arrived in 1990, directed by Tony Scott and built around the world of stock-car racing. Cruise played Cole Trickle, a young driver working his way up through the sport with the help of a crew chief and a rivalry that drives much of the story. The film was a major box-office release for its time and helped bring NASCAR to audiences who had little previous exposure to the sport.

NASCAR is best known in the United States for its Cup Series, the premier national division. Beneath it sit other national and regional series, and the ARCA Menards Series is one of the best-known of those. It has long been a place where drivers gain experience on a variety of tracks, and it has served as a proving ground for many who later moved up to higher levels of the sport.

Hollywood productions that involve motorsport often work closely with racing organizations. Teams, tracks and sanctioning bodies can provide authenticity, access and promotional support, while studios gain a built-in audience of fans. Movie stars who want to drive on track are not unusual, but any on-track participation in an official race usually depends on licensing, approved driver training and the rules of the sanctioning body.

Cruise has a long record of performing his own stunts in films, including in action franchises, which has made him a well-known figure in the industry. That reputation gives his interest in real racing a particular kind of credibility with fans.

Why it matters

For NASCAR and its affiliated series, a high-profile name taking an interest in a lower-tier car could draw new attention to grassroots racing that often gets less coverage than the national headliners. Exposure of that kind can matter to sponsors, teams and tracks that depend on fan interest.

For the film, the appeal is clear. A sequel to a well-known racing movie benefits from any story that gets people talking about the sport and the people in it. Each new headline reminds audiences that the franchise is coming, and it can help shape expectations before the cameras even roll.

The bigger question is what this says about the relationship between entertainment and the sport itself. Real racing is governed by strict rules about safety, eligibility and competition. How those rules apply to a famous guest driver is something fans and officials will want to see handled openly. The sport's credibility depends on treating every entrant the same, whatever their name.

There is also the matter of expectations. Interest and intent are not the same as a confirmed appearance, and readers should be careful about treating early comments as settled plans.

What to watch

The first thing to watch is whether NASCAR or ARCA confirms any plan involving Cruise and an ARCA car, and if so, what that plan includes. Official statements would clarify whether this remains an idea or has moved toward action.

Next, watch for further details about the sequel itself, including production timing and any promotional partnerships with the racing world. Studios often reveal more about tie-ins as release dates approach.

Finally, pay attention to whether the sport and the film find ways to showcase grassroots racing alongside the film, and whether fans respond with interest in the series beyond the headlines.

Viewpoints

Commentary from our columns: three angles on this story.

The Driver's Seat the enthusiast's take

There is something special about a famous name wanting to get behind the wheel of a real race car. Most of the fans who fell for Days of Thunder years ago did so because the movie made stock-car racing feel close and loud and human. If Tom Cruise really wants to spend time in an ARCA car, that enthusiasm deserves a welcome, because grassroots racing rarely gets the spotlight that the big Cup names take for granted.

The best outcome would be one where the attention sends people to local tracks, to the drivers who spend every weekend chasing a result with modest budgets, and to the teams who keep the machines running. A cameo on a famous track is fun, but the sport is built on the people who race for the love of it.

Enthusiasts should also remember that the sport is serious. Real speed, real walls and real consequences are part of every lap. A sequel can capture that feeling on screen, and a headline can bring new eyes to the grandstands. Whatever happens next, the sport deserves to be the star.

The Pit Wall the racing and strategy angle

Strategy is where a story like this becomes interesting. Anyone stepping into an ARCA car has to think about seat time, track familiarity, tire wear and how a team communicates over the radio. A famous driver with little recent competitive experience would face a steep learning curve, even with a skilled crew around them.

The logistics also matter. Entry, licensing and the rules of the series shape what is possible. A one-off appearance can look simple on a poster but becomes a detailed puzzle once you account for qualifying, race-day pit stops and the way a team balances fresh tires against track position.

From the pit wall, the most useful question is not whether a star can drive fast, but whether the team can make a new driver effective within the rules. If the idea moves forward, the people on the radio will be the ones who decide whether it works.

The Skeptic open questions and weak points

It is worth slowing down before reading too much into this. The reporting describes interest, not a confirmed plan. Key details, including what kind of appearance is being discussed and whether any arrangement is in place, were not clearly spelled out in the coverage. Early comments in promotional interviews often travel faster than the facts behind them.

There is also a practical question about how any such idea would fit into the rules of a national series. Eligibility, safety requirements and the expectations of other competitors all need to be addressed. Fans should want those answers before they celebrate a headline.

None of this means the idea is unreasonable. It means the open questions matter. Official confirmation from the sanctioning bodies would do far more to settle the matter than another round of interviews, and until then, skepticism is simply good reading.

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